SÅ FIN RECENSION I DAGENS NYHETER IDAG!!

GLADA FÖR EN FIN RECENSION I DN IDAG!! 6 KVÄLLAR KVAR ATT UPPLEVA DESSA FINA VERK. VÄLKOMNA!!

28-11 -7 DEC. TORSDAG – LÖRDAG, 18 -21 PÅGÅENDE, STANNA SÅ LÄNGE NI VILL.

”Performancer öppnar nya världar på Lilith i Malmö” ”I ett unikt projekt har Lilith performance studio i Malmö försökt ringa in den svenska performancescenen. Dan Jönsson har stor behållning av avslutningen med fem stökiga, insisterande verk.”  – Dan Jönsson DN

→RECENSION DAGENS NYHETER 28.11

”Det är svårt att inte tro på konsten när man är omgiven av verk som konstnären dessutom i de flesta fall är en del av ” Christine Antaya SDS 

→RECENSION I SYDSVENSKAN

 


En HELSIDA för mycket välskriven konstrecension!!
Härligt att SYDSVENSKAN håller fanan högt när andra medier förkortar, fördummar, klickjagar och nedrustar. MALMÖ <3 inger hopp!!

”Det är svårt att inte tro på konsten när man är omgiven av verk som konstnären dessutom i de flesta fall är en del av, att avfärda konsten skulle kännas lite som att avfärda personerna.”
Christine Antaya SDS

VI KÖR IKVÄLL IGEN, ÖPPET KL 18-21!
BETALA VAD NI VILL FR 80 SEK

VÄLKOMNA!

https://www.sydsvenskan.se/2024-11-22/roxy-farhat-stjal-showen-pa-lilith-performance-studio/


Nu har vi ÖPPNATt. Lite förhands reportage, fint skrivet av Sydsvenskan Sara Berg.

”Mjölksyra och manlighet – vad är det som händer på Lilith egentligen?

Kommer Roxy Farhat att sluta göra konst? Och vad händer när man är den enda gästen i en bar? Det får man veta på Liliths senaste satsning som öppnar ikväll. ”Folk är fortfarande rädda för performance”, säger ena grundaren Petter Pettersson.”

SYDSVENSKAN / DYGNET RUNT

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DURATIONAL SPACE #5! Opening on Nov 21 👉Introducing 👉Elias Björn!!
One of the commissioned artists, take a closer look at Björn’s artistic practice!
💥
Elias Björn (b. 1979, Lund, based in Gothenburg) works across various media, with pieces exploring male identity and how we collectively shape and form the individual through stories, genres, and encounters. Themes such as violence, popular culture, hierarchy, loneliness, intimacy, heroism, and failure permeate his examination of what unites and divides us.
He studied at the University of Bergen and earned his MFA degree in 2017. Björn’s work has been shown in numerous exhibitions, including at Oppland Kunstsenter (Lillehammer), Candyland (Stockholm), Konstepidemin (Gothenburg), the Borås International Sculpture Biennial, Galleri Sinne (Helsinki), USF Verftet (Bergen), and Fotogalleriet (Oslo).

💥
At lilith Elias Björn is ppresenting the new performance ‘The Tale of the Frog Who Wanted to Become a Prince’, where three men shape an absurd, intimate chamber play based on an ongoing project that began back in 2011.
In this work, as in his previous ones, Elias Björn uses the body and language as starting points to explore the individual’s relationship to the collective, where identity formation intersects with societal norms.
Performers: Håkan Magnusson, Daniel Mårs, Dragan Samajovic.

📸1 AS I LAY MY HAND (BLUE MONOCHROME), 2019 📸 Juha-Heikki Tihinen
2  – IN STATIC BALANCE, 2019 📸 Siri Leira 3-5 Wish, 2018 📸 Bjarte Bjørkum 6-7: BANG BANG, 2017
8: MÄN ASSÅ…Borås International Sculpture Biennale, 2016, 9: DU ÄR MIN ENDA VÄN,Bergen Kjøtt, Bergen, 2012


DURATIONAL SPACE #5! Opening on Nov 21 

Let us introduce one of the five commissioned artists, and give you a closer look at Farhat’s artistic practice!

 👉Roxy Farhat!  👉

Roxy Farhat (b. 1984, Tehran; lives and works in Stockholm) often draws on personal experiences or situations in her work, addressing issues such as capitalism’s influence over public and private spaces, prejudice, social structures, and the role of art itself. Her works are often marked by kitschy and absurd humor rooted in political gravity.

💥

Farhat studied at Konstfack in Stockholm and the University of California, Los Angeles. Her artistic practice encompasses visual art, performance, film, music videos, and more. Her works have been shown in various solo and group exhibitions in Sweden and internationally, including at Göteborgs Konsthall, Index in Stockholm, Moderna Museet in Stockholm, Bonniers Konsthall, Southbank Centre in London, and Haugar Vestfold Kunstmuseum in Norway. Among other projects, she has directed music videos for artists like GNUČČI, Zhala, and The Knife.

 

For LPS she will, with your help, trying to answer a series of existential questions, like: why are we creating art, when the world is on fire?

 

”Has art accepted its own demise? Our shared culture is being dismantled, a party born out of Nazism is steering Swedish politics, right-wing winds are blowing across Europe, the world watches as children are bombed to death, and the climate catastrophe threatens the very foundation of human life. And yet, we continue making art, not revolting.Is it time to leave art behind, or can it become something stronger than it is today? Come and help me answer these questions at LPS, November 21 – December 6. 

My friend ANA RAB will welcome you and guide you on how to participate. 

On December 7, there will be an open concluding discussion where I will make my decision.” – Roxy Farhat (October 2024)

 

📹📸1: Acting Woman – Performance for video, 2017, in collaboration with Zhala, 2: How Was Your Morning? Video, 2018, 4-5 : United Colors Of Bitchaton – Not Your Bitch Video, 2014

 

#performance #malmo #durationalspace #roxyfarhat

 

 

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Now LPS studio is in Toronto Canada taking part in the International Performance Festival 7a11d.

The whole week will be filled with performances and talks.
LPS presents LILIT artist Duo with their new work Shiny Riot.

Shiny Riot
Friday, October 11, 7 pm
630 Queen Street East
7a11d – International Performance Art Festival

LILITH’s work revolves around universal human questions of love, longing, and sorrow, driven by the desire to enter the viewer’s consciousness as a disruption, with the hope of understanding what it means to be human. Their new work, Shiny Riot is a public interactive performance led by an 11-year-old girl.

The performance is kindly supported by the Swedish Arts Grants Committee & IASPIS

7a11d

The Toronto Performance Art Collective (TPAC) is a not-for-profit, artist-driven collective that curates and produces English Canada’s oldest ongoing biennial of performance art. In non-festival years collective members engage in a variety of other performance-based projects. 7a*11d was established in 1997 by a group of performance artists, collectives, and organizers, eager to develop a forum for performance art in Toronto.
7a11d

Images so far from the week.

Image 1-2

Strong Legs Folding by
Emma-Kate Guimond (with Rue JOVANOVIC)
A performed auto-theory about love and obligation competing in a time when living is becoming unaffordable.

Image 3: Artist Talk by the performance legend Tanya Mars  (this year’s 7a*11d Éminences Grises), in conversation with Shannon Cochrane (director of FADO Performance Art Centre and TPAC alumni). Mars will share anecdotes from her personal history as a key contributor to Canada’s artist-driven culture.

Tanya Mars is a feminist performance artist who has been actively involved in the Canadian art scene since 1973 doing many different things. She has lived and worked in Quebec, Ontario and Nova Scotia. Since the ’70s Mars’ work has focused on creating spectacular feminist imagery that places women at the centre of the narrative. Since the mid-’90s her performances have included endurance, durational and site-specific strategies. Her work is political, satirical and humorous. She has worked both independently and collaboratively to create both large-scale as well as intimate performances in Canada and internationally. Ironic to Iconic: The Performance Works of Tanya Mars, was published in 2008 by FADO, edited by Paul Couillard. She is the recipient of a 2008 Governor General’s Award in Visual and Media Arts.

Lilith Performance Studio has shown Tanya Mars in 2008, 2010 and 2012

Image 4-5
What We Crave – What We Crave explores the magic of gathering. We celebrate coming together through experiments and rituals in embodied archival practices, emphasizing presence and sensory experience.
Together and separately, Jess Dobkin, Laurel Green, Joyce LeeAnn, and Shalon T. Webber-Heffernan have been contemplating, dreaming and scheming around the conjuring powers of memory, desire, and transformation.

 

 


DURATIONAL SPACE #5! Opening on Nov 21 

Let us introduce one of the five commissioned artists, and give you a closer look at Farhat’s artistic practice!

 👉Roxy Farhat!  👉

Roxy Farhat (b. 1984, Tehran; lives and works in Stockholm) often draws on personal experiences or situations in her work, addressing issues such as capitalism’s influence over public and private spaces, prejudice, social structures, and the role of art itself. Her works are often marked by kitschy and absurd humor rooted in political gravity.

💥

Farhat studied at Konstfack in Stockholm and the University of California, Los Angeles. Her artistic practice encompasses visual art, performance, film, music videos, and more. Her works have been shown in various solo and group exhibitions in Sweden and internationally, including at Göteborgs Konsthall, Index in Stockholm, Moderna Museet in Stockholm, Bonniers Konsthall, Southbank Centre in London, and Haugar Vestfold Kunstmuseum in Norway. Among other projects, she has directed music videos for artists like GNUČČI, Zhala, and The Knife.

 

For LPS she will, with your help, trying to answer a series of existential questions, like: why are we creating art, when the world is on fire?

 

”Has art accepted its own demise? Our shared culture is being dismantled, a party born out of Nazism is steering Swedish politics, right-wing winds are blowing across Europe, the world watches as children are bombed to death, and the climate catastrophe threatens the very foundation of human life. And yet, we continue making art, not revolting.Is it time to leave art behind, or can it become something stronger than it is today? Come and help me answer these questions at LPS, November 21 – December 6. 

My friend ANA RAB will welcome you and guide you on how to participate. 

On December 7, there will be an open concluding discussion where I will make my decision.” – Roxy Farhat (October 2024)

 

📹📸1: Acting Woman – Performance for video, 2017, in collaboration with Zhala, 2: How Was Your Morning? Video, 2018, 4-5 : United Colors Of Bitchaton – Not Your Bitch Video, 2014

 

#performance #malmo #durationalspace #roxyfarhat

 

 

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WE ARE HAPPY TO PRESENT 5 PERFORMANCES AT THE SAME TIME WITH GREAT ARTISTS!
Roxy Farhat, Elias Björn, Andreas Engman, Josefina Björk,
& Dsplcd Vsn (Salad Hilowle + Juan Pedro Fabra Guemberena
feat. Jean-Louis Huhta)

DURATIONAL SPACE #5 opens on 21 November with five newly produced performances, all running simultaneously in the same room for 3 hours.

Each artist or artist group has shaped the space according to shared conditions, working freely without any thematic constraints. We are proud to open a space where ideas about the potential demise of art, bio-political aspects of lactic acid fermentation, collective public sound actions, intimate bar conversations, and male absurdity come together. You are free to move between the performances and stay as long as you wish.

VARM WELCOME!

READ MORE ABOUT THE ARTISTS AND BOOK YOUR TICKET HERE → READ MORE & TICKETS

Andreas Engman
A Sour Place: Embodied Metabolisms and Fermented Narratives
Skogen, Göteborg

 



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