Beautiful opening last weekend, with a lovely audience, lovely artists and a bunch of super great performers!

We have just edited a conversation with one of the artists; Sareena Sattapon.

See and hear her talk about the new performance ” We are marching towards non-existent”

It has been such a thrill to make this performance come alive!

WELCOME THIS WEEKEND AND NEXT!

TICKETS: KULTURCENTRALEN

The review in Sydsvenska →The art critic Christine Antaya wrote 28.4

”A floating woman shows the importance of performance”

”Seeing Essle Zeiss here shows the importance of having an institution where performance becomes not just a spice but the very essence.”

”But for a short while, when the light dims, the wooden scaffolding suddenly resembles temporary housing and something about human fragility crystallizes.”

”Rather, this is an opportunity to reflect on the special nature of the medium, its possibilities and dangers. How hard it can be to predict how meaning arises. In Éva Mag’s work that was shown at Lilith earlier this year, there was a moment when the participants pulled a wax figure out of a plaster mold. It was oddly satisfying to witness the darting and pulling. Same thing with the Essle Zeiss body, it makes me long to feel light, to be lifted. These are small things. But performance art is the art form that can perhaps best highlight our most banal movements and sensations, and give them meaning.”

IMORGON ÖPPNAR VI! LYSSNA PÅ FINT REPORTAGE I RADIO OM EN AV PERFORMANCE VI VISAR!

Riktigt fint reportage på radio igår om ett av verken som visas: Adèle Essle Zeiss nya verk “Stjäla vatten”

From last week, rehearsals and fun!

On Thursday we open!! WE ARE MARCHING TOWARDS NON EXISTENT BY FAB Sareena Sattapon

PRODUCTION: Lilith Performance Studio
PERFORMERS ❤ ❤
Sareena Sattapon Daniel Mårs Kaisa Malmborg Finon Alkabawi Martin Lindblom Joakim Carlson Giselle Escobar Munir
Ester Wakeham Inna-Pettersson Lundgren

DURATIONAL SPACE – ADÈLE ESSLE ZEISS & SAREENA SATTAPON
27.4 -13.5

Facebook event! DURATIONAL SPACE

Vill du jobba på Lilith Performance Studio i Malmö?

Intense week at LPS the last weeks!

We are building up two new performances in our new performance exhibition format DURATIONAL SPACE by the great artistS Sareena Sattapon & Adèle Essle Zeiss.

Adèle Essle Zeiss and Sareena Sattapon’s new works are completely independent of each other but meet in an idiosyncratic sensitivity to visual composition and physical choreography, in something that brings to mind Eastern philosophy, where the pursuit of the physical balance of the body is strongly linked with one’s own power of thought.

Adèle Essle Ziess – “Stjäla vatten” (Stealing Water)

In ”Stjäla vatten” a person hangs from a system of ropes and blocks where body parts are connected to leaking buckets of water. Three people together control the movements of the hanging body by filling and emptying the buckets with water. The weight of the body is distributed and redistributed between the different body parts where dramatic tipping points can occur from small adjustments.

Sareena Sattapon – ”We are marching toward non-existent”

Loneliness and death  is t he starting point in this performance were a  group of people, children and middle-aged, perform a choreographed dance with 4 large wooden scaffolding linked together in a colorful lattice of our time’s most common messenger, printed t-shirts. In an ongoing abstract sequence of events, new images and associations are constantly being created, both collectively and individually.

SNEAK PEAK STJÄLA VATTEN → THE FIRST PHOTO IS THE RESULT, THE ONES UNDER IS UNDER PROCESS..

The performers are: Selam Kjellsson, Faïka Ammar, Lo Pettersson -Lundgren, Laura Bollati, Vilma Linton. Production assistant: Elin Maria Johansson

The Last weekend of these two critical acclaimed performances ”Verksamhetsanalysen” (Operation Analysis) by Éva Mag and Forsens början ( the Rapid’s beginning) by Anna- Karin Rasmusson. 

IT’S TWO AMAZING WORKS TO DIVE IN TO, TO EXPERIENCE THE PROCESS AND THE BEAUTIFUL IMAGES OF BLOODY DECAY AND RENEWAL WHICH APPEARES INFRONT OF YOU!

DON’T MISS THIS! LAST TIME ON SATURDAY 4 MARCH!!  TICKETS→Kulturcentralen

” We just can’t stop messing up. The human struggle persists in two large-scale performances at Lilith Performance Studio in Malmö.” writes Kunstkrikk’s reviewer Hedvig Weibull about DURATIONAL SPACE.Read the whole review here →REVIEW KUNSTKRITIKK (ENG)

”Durational space” reflects collapse and rebirth in evocative image sequences, writes DN’s critic Sofia Nyblom.→REVIEW IN DN (in Swedish)

”In both cases there is something deeply moving in the activity that goes on. Whether it is meaningful or not, man continues his pursuit.” Carolina Söderholm, Sydsvenskan – →REVIEW IN SYDSVENSKAN (in Swedish)

”However, I think I can just as easily read into the decay and announced doom of our entire civilization. It is a strong work..” Torun Börtz, Ystadsallehanda-→REVIEW IN YSTADSALLEHANDA (In Swedish)
 

Sista helgen för de kritikerrosade performancena ”Verksamhetsanalysen” av Éva Mag och Forsens början  av Anna-Karin Rasmusson.O

DET ÄR TVÅ FANTASTISKA  VERK ATT DYKA IN, UPPLEVA PROCESSEN SOM HELA TIDEN PÅGÅR OCH DE VACKRA BILDER AV FÖRSTÖRELSE OCH PÅNYTTFÖDELSE SOM SKAPAS FRAMFÖR DIG!

MISSA INTE DETTA! SISTA GÅNGEN LÖRDAG 4 MARS!!

BILJETTER → →Kulturcentralen

”Durational space” speglar sammanbrott och återfödelse i suggestiva bildsekvenser. Bilder ur ett cykliskt förlopp etsar sig in på näthinnan, livet som föränderlig föreställning,  skriver DN:s kritiker Sofia Nyblom.
→RECENSION DN

”För visst vill jag också tro att vi människor kommer sluta ställa till det för oss, om vi bara får syn på oss själva. Med mer utifrånblickar, fler vittnen och analyser, så skulle vi förstå bättre och agera bättre.” Skriver Hedvig Weibull i KUNSTKRITIKK
→RECENSION KUNSTKRITIKK

”I båda fall finns något djupt berörande i den aktivitet som pågår. Oavsett om det är meningsfullt eller inte fortsätter människan sin strävan.””Det både oroar och väcker ömhet”, skriver Carolina Söderholm Sydsvenskan.
→RECENSION SYDSVENSKAN

”Jag tycker mig dock lika mycket kunna läsa in hela vår civilisations förfall och utannonserade undergång. Det är ett starkt verk..” Torun Börtz
→RECENSION YSTADSALLEHANDA

”långsamt drivande rörelse kring temat sönderfall och vanmakt.” Kristina Maria Mezein
→RECENSION OMKONST

VI VANN ÅRETS SCEN PÅ NÖJESGUIDENS GALA I TORSDAGS!!!

SÅ GLAD OCH STOLTA!

Vi har kämpat med Lilith sen 2007 och gjort över 60 stora performanceverk. 2022 var ett helt maxat år med 3 gigantiska performance! Blev så glada att vi blev uppmärksammade och prisade för vår drivkraft att ge performance till vår underbara publik. Vi vill tacka all publik som kommit till oss genom åren, utan er existerar vi inte! Tacka alla fantastiska konstnärer och medverkande som vi arbetat med genom åren och under 2022, utan er!!!

Till sist! Malmö!! Vi hade inte kunnat göra Lilith i en anna stad än här <3

LÄS OM GALAN HÄR I → SYDSVENSKAN / DYGNET RUNT