On Thursday this week we open for the massive performance – MIN TOTALA NJUTNING, By the artist duo LILITH ( Elin Lundgren & Petter Pettersson) in collaboration with the poet Daniel Mårs.
MIN TOTALA NJUTNING (My Total Pleasure) HAS BEEN SELECTED TO THE PERFORMING ARTS BIENNALE 2023 (SCENKONSTBIENNALEN 2023).
”A floating woman shows the importance of performance”
”..when the light dims, the wooden scaffolding suddenly resembles temporary housing and something about human fragility crystallizes.”
Christine Antaya – Sydsvenskan
”Under the conditions she set for the work, and within its genre, ’Steal water’ approaches perfection.”
Magnus Bons – KONSTEN.NET REVIEW
LAST WEEKEND OF DURATIONAL SPACE WITH ADÈLE ESSLE ZEISS & SAREENA SATTAPON!
11.3 -13.5
DON’T MISS OUT! DROP IN! ONGOING! OPTIONAL ENTRANCE FEE!
WELCOME!
SEE AND LISTEN TO ADÈLES THOUGHTS ABOUT HER NEW PERFORMANCE ♥
The review in Sydsvenska →The art critic Christine Antaya wrote 28.4
”A floating woman shows the importance of performance”
”Seeing Essle Zeiss here shows the importance of having an institution where performance becomes not just a spice but the very essence.”
”But for a short while, when the light dims, the wooden scaffolding suddenly resembles temporary housing and something about human fragility crystallizes.”
”Rather, this is an opportunity to reflect on the special nature of the medium, its possibilities and dangers. How hard it can be to predict how meaning arises. In Éva Mag’s work that was shown at Lilith earlier this year, there was a moment when the participants pulled a wax figure out of a plaster mold. It was oddly satisfying to witness the darting and pulling. Same thing with the Essle Zeiss body, it makes me long to feel light, to be lifted. These are small things. But performance art is the art form that can perhaps best highlight our most banal movements and sensations, and give them meaning.”
